The text of Avantisundarī is available in broken form, which was discovered in the year1924 by M. Rāmakṛṣṇakavi. Scholars like V. Raghavan, S. K. Pillai, and P. V. Kane mentions that the story of Rājavāhana in both the texts are overlapping and there is a possibility that Avantisundarī be the lost introduction of Daśakumāracarita. The story of Avantisundarī is lengthier which narrates the attack of a commanding army and its confrontation and resurgence. The merits of a king are well established in the tale, where the king loses to the battle, while his heir is in deep pressure to win it back. The story plot directly deals with the worthiness of a king to win or lose a battle, which is closely related to Avantisundarī. The first part of the story introduces to the author Daṇḍīn. Avantisundarī tells the story of King Udayana of Vatsa and his pursuit of the beautiful princess Avantisundarī, who is being held captive in the city of Ujjayinī. The work is divided into eight chapters, each of which follows the progress of the king's quest to win the princess's hand in marriage. The narrative is filled with dramatic twists and turns, as Udayana faces numerous obstacles and challenges in his pursuit of Avantisundarī.
Along the way, Udayana must contend with a variety of adversaries, including a powerful rival king and a vengeful courtesan. He also faces personal trials and tribulations, such as a temporary loss of his eyesight and a near-fatal encounter with a serpent.
Despite the many obstacles he faces, Udayana remains determined to win Avantisundarī's heart. His unwavering love and devotion eventually win her over, and the two are married in a joyous ceremony that marks the culmination of their romantic journey.
Avantisundarī is known for its exquisite poetry and skillful use of language, as well as its vivid descriptions of courtly life and romantic passion. It is regarded as one of the greatest works of classical Sanskrit literature, and continues to be studied and admired by scholars and enthusiasts of Indian literature and culture.
Avantisundarī is a romantic tale in Sanskrit literature, which is divided into eight chapters. The contents of each chapter are as follows: Chapter 1: The tale begins with the introduction of King Udayana, who is seeking a suitable bride. He hears of the princess Avantisundarī's beauty and decides to win her hand in marriage. He sets out on a journey to Ujjayinī, where the princess is held captive.
Chapter 2: Udayana enters Ujjayinī in disguise and meets Avantisundarī for the first time. He falls deeply in love with her, but she is initially reluctant to reciprocate his feelings.
Chapter 3: Udayana begins to court Avantisundarī in earnest, sending her gifts and serenading her with songs. However, she remains hesitant and unconvinced.
Chapter 4: Udayana is challenged to a battle by the powerful king of Ujjayinī, who also desires Avantisundarī's hand in marriage. Udayana emerges victorious, but the princess remains unswayed.
Chapter 5: Udayana temporarily loses his eyesight after being bitten by a poisonous insect. Avantisundarī takes pity on him and nurses him back to health, causing him to fall even more deeply in love with her.
Chapter 6: Udayana is confronted by a vengeful courtesan who seeks to thwart his courtship of Avantisundarī. He must navigate her schemes and deceptions in order to win the princess's hand.
Chapter 7: Udayana is bitten by a venomous serpent and appears to be on the brink of death. Avantisundarī is heartbroken and confesses her love for him, praying for his recovery.
Chapter 8: Udayana recovers from his illness and is finally able to win Avantisundarī's hand in marriage. The tale concludes with their joyous wedding and the celebration of their love.
Avantisundarī is unique in its depiction of courtly love and romance in classical Sanskrit literature. The work is characterized by its exquisite poetry and rich use of language, as well as its vivid descriptions of courtly life and romantic passion. The narrative is filled with dramatic twists and turns, as the hero overcomes numerous obstacles and adversaries in his quest for love. The work stands out for its exploration of the complexities of love and desire, as well as its portrayal of the social and cultural norms of ancient India. Overall, Avantisundarī remains a beloved and enduring masterpiece of Sanskrit literature, cherished for its beauty, depth, and emotional power.
The works of Daṇḍīn are known for its different styles, where many scholars have criticised it to be authored by different writers, while the quotes at the end of each prose proves to be written by Acharya Daṇḍīn himself. However, there are certain views that Avantisundarī is the head and Daśakumāracarita is the trunk of Daṇḍīn’s work. Since Daśakumāracarita seems to be the continuation of Avantisundarī, and both are available in fragmented parts, the views are appreciated by several scholars and students of Sanskrit literature.
1. तदल्पमपि नापेक्ष्यं काव्ये दुष्टं कथञ्चन।
स्याद् वपुः सुन्दरमपि श्वित्रेणैकेन दुर्भगम्॥ [काव्यादर्शः -१.७]
There should not be even the slightest useless or defective element in the composition, [because] it destroys all the efforts made. Just like white leprosy makes a beautiful body ugly.